alittlepoison publishes the creative work of a charming group of people
- I saw you, mother, standing in the dark.
Shielded by my love, you look from the corridor.
As I pretend to sleep, my tears roll down…
- Red-Yellow Sunset over the sea
My massive muscles are aching.
I walk to my view and look manly and testosteronely fueled at that…
- audio: Interview with Nick’s Griffin
- Democratic Literary Experiment
The following (below) might be the opening paragraph of a book that I might write. I’m putting it…
- audio: Matt Boothman
I’m currently appearing in Macbeth which has (admittedly) received mixed reviews. One reviewer on the internet – a… - Slipping on the Beat
There he is!
My God! His face is without criticism.
Each jaw movement is followed by a wooing…
- 9 Things I’ve Learned from Poker
…it would be 10, but you only like round numbers because of fingers and toes).
Poker, Poker, Poker.
I’ve…
Recent Comments
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Brief Posts
- Some Velvet Morning
In my opinion this is the strangest and best song anyone has made. What are your favourites?
4 comments - Oraison
A performance to be seen, this is Richard Lainhart’s interpretation of Oraison composed by Olivier Messiaen in 1937 for six Ondes Martenot.
The instrument he is playing is a Buchla 200e, a modular synthesizer, developed in the late 70’s.
I started getting interested in these instruments two years ago when I was obsessed with Radiohead and have now moved on to owning something similar. These instruments are seldom recognized yet they are audible in most of the music we hear today, mostly emulated through computer programs. To a greater extent I guess I wanted to illustrate how these are the unsung heroes of the musical world. They can produce the softest of recordings to the harshest of sounds yet most people have no clue what they are.
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